THE MORAL
You may keep your princely
peacock
in his eye-brocaded finery,
I prefer the turkey, the
practical burger
in sensible black and brown:
he struts and fans his tail just
as well.
THE DEATH OF MARION DU FRESNE AT THE BAY OF ISLANDS, NEW ZEALAND, 12 JUNE 1772, BY CHARLES MÉRYON (1846-1848)
Charles Meryon, The Death of Marion du Fresne at the Bay of Islands, New Zealand, 12 June 1772, Alexander Turnbull Library, Wellington (1846-1848) I Sometime between 1846 and 1848 drew the scene en graiselle in pencil and crayon, heightened with chalk. It’s a largish work, one metre by two metres – a heroic scale for a “heroic” subject, executed by the French artist Charles Méryon (1821-1868) and exhibited at the Paris Salon in 1848. Thence it passed on to the artist’s closest friend, Antoine-Édouard Foleÿ (the two were stationed together at the French naval base in Akaroa on Banks’ Peninsula), a member of the Paris Positivist circle of the philosopher Auguste Comte, who left it to his son. The drawing was purchased in Paris by New Zealand-born British art collector Rex Nan Kivell, who smuggled it back to London, rolled up in the leg of his trousers, as the Second World War broke out. Eventually this magnificent curiosity entered the National Library of Australia as part of t
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